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X美术馆于2020年12月6日至2021年2月28日于馆内呈现展览“伊西·伍德: 无伤大雅”。作为艺术家伊西·伍德在亚洲的首个美术馆个展,“伊西·伍德: 无伤大雅”的展览作品奏响一曲将幽默和间离效果注入消费符号的哑剧,给日常生活染上一层超现实主义色彩。“伊西·伍德: 无伤大雅”由X美术馆馆长黄勖夫与助理策展人杨宇青共同策划。

X Museum presents ‘Issy Wood: Good Clean Fun’ on view from 6 December, 2020, through 28 February, 2021. As the artist Issy Wood’s first museum exhibition in Asia, ‘Issy Wood: Good Clean Fun’ configures a pantomime for consumption signage with humor and estrangement, offering a surreal outlook on everyday life. ‘Issy Wood: Good Clean Fun’ is curated by X Museum director Michael Xufu Huang and assistant curator Edel Yuqing Yang.

展览作品呈现伍德近期从丝绒布面绘画到古着等一系列基于不同媒介的创作实践,艺术家藉此探讨如何转译、挪用数码图像的语法,使之进入具象绘画的平面与真实的空间。通过捕捉瓷器餐具、车厢等现代消耗品微妙的构图,伍德对将物件与身体的关系引入与图像传统的当代洽谈之中,渲染出“物哀”的氛围感。除绘画作品之外,展出还囊括艺术家文字、音乐、服装与陈设,涵盖艺术家从古典静物画、拍卖图录、手机图像中广泛提取的灵感,让物件的魅影贯穿这些界域,呼唤对于事物内部性与瞬息性的观照与凝思。

‘Issy Wood: Good Clean Fun’ showcases the artist’s recent practice which exploits a variety of mediums, ranging from velvet to vintage garments. Many of the artworks uncover how the artist transliterates the visual vocabularies of digital gadgets into figurative paintings and real spaces. Depicting modern ephemera such as porcelain tableware and car interiors, Wood’s works spell out a contemporary negotiation with bodies and objects through subtle composition reminiscent of the Japanese mono-no-aware arenas. Alongside her paintings, the exhibition also presents the artist's texts, music, garment, and tile installations, revealing her myriad inspirations from classical still-life and auction catalogs to Internet pictures. Upon her wide spectrum of practice, Wood’s works often create a phantasmagoric world where the muted objects solicit our contemplations and reflections on the interiority and impermanence of things.

从用静物的光泽致敬古典绘画的巧夺天工到用装置援引当代艺术中对材料物性的使用,“伊西·伍德: 无伤大雅”通过四个连续展厅的作品讲述艺术家创作的多种层次。作品标题往往介于华丽和讽刺之间,讽谏社交媒体的无事生非。展出作品在拜物的光晕下泛着忧郁的底色,形成一种反差,使无生气的物件成为能动的主体,回应着关于物件何以成为艺术的永恒疑问。

The exhibition ‘Issy Wood: Good Clean Fun’ unfolds through four galleries the different registers of the artist’s expansive practices, from exclamations of material lustre alluding to the Renaissance celebration of artifice, to tile installation reprising contemporary moments of objecthood. Oscillating between glamour and satire, her titles often bear references to the non-sequiturs of social media. The revealing contrast between fetishistic gloss and melancholic undertones cast inanimate objects as expressive agents, probing into the longstanding question of how we understand objects through art.

 

关于艺术家 About the Artist

伊西·伍德(生于1993年,美国)2018年毕业于英国皇家艺术研究院,现生活工作于伦敦。她的创作对象主要包括具象绘画、文字、装置和音乐。近期主要个展举办于伦敦金史密斯学院当代艺术中心(2019年)、华沙现代艺术博物馆(2019年)、纽约JTT画廊(2019年)、维也纳D.E.L.F(2018年)、伦敦卡洛斯/石川画廊(2017年)。作品参与的群展遍布伦敦的扎布卢多维奇收藏、里森画廊、白立方画廊、S12画廊、布鲁塞尔Mendes Wood画廊、柏林Société画廊、英国泰特圣艾夫斯美术馆。2019年,伊西·伍德入选福布斯“30 Under 30”艺术文化榜。

Issy Wood (b. 1993, USA) graduated from RA Schools in 2018. She works and lives in London, UK. Her wide range of creative practice encompasses figurative paintings, texts, installations, and music. She held major solo exhibitions at Goldsmiths Centre for Contemporary Art (London, 2019); MoMA, Warsaw (2019), JTT, New York (2019), D.E.L.F, Vienna (2018), Carlos/Ishikawa, London (2017). Her work has been included in group exhibitions at Zabludowicz Collection, London; White Cube, London; Lisson Gallery, London; S12, London; Mendes Wood, Brussels; Société, Berlin; Tate St Ives, UK. In 2019, Issy Wood is enlisted in Forbes ‘30 Under 30’ Art and Culture list.

 

相关活动 Related Events


《责备》:伊西·伍德音乐聆听会
The Blame: Listening Session on Issy Wood’s Music

2020.12.12 15:00-17:00

 

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